Xenia Benivolski

Iron Aura, Phantom Core: Xenia Benivolski and Camille Norment

Disclaimer (Liquid Architecture)

Music and Time: Conservation and Innovation through Artistic Research

Orpheus Institute

⏳ The RING: On Instrumental Time

reWire

Ho Tzu Nyen’s “Time & the Tiger”

e-flux

“Anything can come after anything else…”

e-flux index #2

Elephants Without Tusks

e-flux index #4

☄️ Bodies of Sound: Becoming a Feminist Ear

Silver Press

Five Shows to See During Art Toronto

Frieze

Manifesta 15: Barcelona Metropolitana

esse

Survival Kit 15: Measures

e-flux

In Tangible Noise

The Baker Museum

Thinking decolonially towards music’s institution

Herri

Under the Weather: The wind in Twin Peaks

the Wire

“Signal to Noise” — John Monteith and Lou Sheppard

C Magazine

IS IT REAL? YES, IT IS! The 81st Whitney Biennial

TEXTE ZUR KUNST

Fernando Palma Rodríguez’s “Āmantēcayōtl”

e-flux

Writing Back Against Amazon’s Empire: Science Fiction, Corporate Storytelling

TripleC

Aura Satz's ‘Preemptive Listening’ Investigates the Power of Sirens

Frieze

Toronto’s Artists Respond to a City in Flux

Frieze

Preemptive Listening Symposium

Tate Modern

Worker as Futurist

Georgia Institute of Technology

Astrid Klein at Sprüth Magers, New York

e-flux

CCS Bard Speaker Series

CCS Bard

Tokyo Melody: A Film About Ryuichi Sakamoto

TIFF

War Art Fellowship

National Gallery of Canada

SOLID STATES : On the Ljubljana Biennale of Graphic Arts

Texte Zur Kunst

Thinking decolonially towards music’s institution: A post-conference reflection

Seismograf

Suzanne Kite: How to Make Art in a Good Way

Art Review Oxford

☁️ Voice as One of the Things of the Universe

PUBLICS

Elif Saydam Articulates Neighbourhood Aesthetics

Frieze

💎 Exhaustive Thoughts: Concerning the Life and Death of Zanis Waldheims

post MoMa

steirischer herbst: Humans and Demons

metropolis M

✊Amazon Workers’ Sci-Fi Writing Is Imagining a World After Amazon

Jacobin

Interview with Syrus Marcus Ware

The ReImagining Value Action Lab (RiVAL)/ Lakehead University

Molecular Dramas, Ane Graff at OSL Contemporary

Artforum

Model is the Message: Incredible Machines Conference 2022: Worker as Futurist

The New Centre for Research and Practice

Raven Chacon: solos

e-flux

You Can't Trust Music and Other Things

OCA/Kunsthall Trondheim

Thinking Historically in the Present: 15th Sharjah Biennal

esse

Instruments, Interfaces, Infrastructures

Harvard University

Music’s institution and the (de)colonial

Lund University

💔 We Love You: Ryuichi Sakamoto, 1952–2023

e-flux

Raven Chacon: solos

e-flux

Meleko Mokgosi Challenges Tropes of Mastery

Frieze

🌬️ Passenger: Migration Patterns of the Living and Those of the Dead

Art papers

👻 What On Earth

Te Magazine

Messengers: an interview with Steven Feld

OEI

🌎YCTM🌎 Chapter 4: To Hold The World Audible

e-flux

Recasting the Future with Amazon Workers

Routledge

Nikita Kadan: Victory over the Sun

art-agenda

A Movement of the Earth Against the World: documenta 15

Art Papers

Piña, why is the sky Blue?

Artforum

Locating Echoes: Tessa Laird and Xenia Benivolski

Liquid Architecture

From East to West, Barbara Kozlowska at Kunstverein

Artforum

Visual Arts Open Lecture: Ayesha Hameed and Xenia Benivolski

Banff Centre for Arts and Creativity

🦇 YCTM🦇 Chapter 03: The Art of Possibly Animate Things

e-flux

🔥YCTM🔥 Interlude: Chimera's Still Warm Body

e-flux

Incredible Machines 2022

the new centre

Do Rocks Listen?

Art Gallery of York University

Two Kinds of Knowledge Shaking Hands

Flash Art International

🌱YCTM🌱 Chapter 02: SONIC BOOM

e-flux

Thematic Residency: The Weapon of Theory as a Conference of Birds

Banff Centre for the Arts

The Voiceless Mass and the Silent Choir: an interview with Raven Chacon

the Wire

🛸YCTM🛸 Chapter 01: Interplanetary Machines

e-flux

Signs of Life

Artforum

Interplanetary Machines

Second Spring

Is Amazon the Borg? We Asked Their Workers

Los Angeles Review of Books

Hectic cycles: A conversation with Chrysanne Stathacos 🔮

esse

Toronto Biennial of Art: What Water Knows, The Land Remembers

Art Monthly UK

Alanis Obomsawin at Haus der Kulturen der Welt (HKW)

Artforum

✨ YCTM ✨

e-flux

Pejvak: If need be

Art Agenda

🦜You Can't Trust Music 🦜

e-flux

Sensing Nature: Momenta Biennial

Art Agenda

The Sky’s Like a Bell—the Moon Is Its Tongue

Infrasonica

Zanis Waldheims - the exhaustive thought

Art Museum

ShapeShift

SUGAR

Pickle Politics: Slavs and Tatars

SUGAR

Pickle Politics: Slavs and Tatars

SUGAR

Ancient Sunlight: An Interview with Elizabeth A. Povinelli

Public Journal

Tanya Busse: Against Posession

Podium

Deferring Diffractions: Laurie Kang

8eleven

Stupid Sun: Julian Hou

8eleven

Le Grand Balcon: Montreal Biennial

C magazine

Habitual Present: Walter Scott

8eleven

Your blue eyes, what the heck: Edgar Leciejewski

8eleven

& A FOREST (PETRIFIES): Felicia Atkinson

8eleven

Every sound is a small action and broke world

8eleven

Start very quiet and get very loud

8eleven

Lumapit Sa Akin, Paraiso (Come to Me Paradise): Stephanie Comilang

8eleven

Night Gallery

Scapegoat

Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the other

C magazine

Rearviews IV

Art Metropole

Risky Rhythm: Nadia Belerique and Rosa Aiello

8eleven

Attila Richard Lukacs in Hollywood: Jordan Tannahill

LUFF Art+Dialogue

The silence of sirens

The New Gallery

Coming to terms

Magenta Foundation

Rearviews II

art metropole

Beginning No End (Rearviews Vol I)

Art Metropole