- Thinking Historically in the Present:15th Sharjah Biennalreviewesse2023
- Instruments, Interfaces, InfrastructuresconferenceHarvard University2023
- Music’s institution and the (de)colonialconferenceLund University2023
- Women From Spacereviewthe Wire2023
- We Love You: Ryuichi Sakamoto, 1952–2023tributee-flux2023
- Raven Chacon: solosevente-flux2023
- Meleko Mokgosi Challenges Tropes of MasteryreviewFrieze2023
- 🌬️ Passenger: Migration Patterns of the Living and Those of the DeadessayArt papers2023
- 👻 What On EarthessayTe Magazine2023
- Messengers: an interview with Steven FeldinterviewOEI2023
- 🌎YCTM🌎 Chapter 4: To Hold The World Audibleprojecte-flux2023
- Recasting the Future with Amazon Workersbook chapterRoutledge2023
- Nikita Kadan: Victory over the Sunreviewart-agenda2022
- A Movement of the Earth Against the World: documenta 15reviewArt Papers2022
- Piña, why is the sky Blue?reviewArtforum2022
- Sonic Acts Biennialreviewthe Wire2022
- Locating Echoes: Tessa Laird and Xenia BenivolskipodcastLiquid Architecture2022
- From East to West, Barbara Kozlowska at KunstvereinreviewArtforum2022
- Visual Arts Open Lecture: Ayesha Hameed and Xenia BenivolskilectureBanff Centre for Arts and Creativity2022
- 🦇 YCTM🦇 Chapter 03: The Art of Possibly Animate Thingsprojecte-flux2022
- 🔥YCTM🔥 Interlude: Chimera's Still Warm Bodyprojecte-flux2022
- Incredible Machines 2022conferencethe new centre2022
- Do Rocks Listen?workshopArt Gallery of York University2022
- Two Kinds of Knowledge Shaking HandsinterviewFlash Art International2022
- 🌱YCTM🌱 Chapter 02: SONIC BOOMprojecte-flux2022
- Thematic Residency: The Weapon of Theory as a Conference of BirdsLead FacultyBanff Centre for the Arts2022
- The Voiceless Mass and the Silent Choir: an interview with Raven Chaconinterviewthe Wire2022
- 🛸YCTM🛸 Chapter 01: Interplanetary Machinesprojecte-flux2022
- Signs of LifereviewArtforum2022
- Interplanetary MachinesrecordSecond Spring2022
- Is Amazon the Borg? We Asked Their WorkersarticleLos Angeles Review of Books2022
- Hectic cycles: A conversation with Chrysanne Stathacos 🔮interviewesse2022
- Toronto Biennial of Art: What Water Knows, The Land RemembersreviewArt Monthly UK2022
- Alanis Obomsawin at Haus der Kulturen der Welt (HKW)reviewArtforum2022
- ✨ YCTM ✨projecte-flux2022
- Echoes of a Distance: McGill Colloquium 2021—Echoes of a Distance: Music, Protest and Community in Confined TimesconferenceMcGill2021
- Amazon workers, sci-fi and the space between utopia and disasterarticleThe Sociological Review2021
- Pejvak: If need bereviewArt Agenda2021
- 🦜You Can't Trust Music 🦜essaye-flux2021
- Sensing Nature: Momenta BiennialreviewArt Agenda2021
- The Sky’s Like a Bell—the Moon Is Its TongueessayInfrasonica2021
- Portable Landscapes: Art Histories of Latvian ExilepublicationK. Verlag2021
- On Witnessing Otherworlds – A Diagrammatic Talk by Patricia Reedtalk221A2020
- Zanis Waldheims - the exhaustive thoughtexhibitionArt Museum2020
- Pickle Politics: Slavs and TatarsexhibitionSUGAR2019
- ShapeShiftpublicationSUGAR2019
- SUGARannouncemente-flux2019
- Pickle Politics: Review by Polina LasenkoreviewSFU2019
- Pickle Politics: Review by Anna KovlerreviewArtforum2019
- Staying with the Breaks, Dispropriating the Universal: A Response to Eva-Lynn JagoepaperWayne State University Press2019
- This is not about you, its about us or at the very least meEssayPublic Journal2018
- Ancient Sunlight: An Interview with Elizabeth A. PovinelliInterviewPublic Journal2018
- Tanya Busse: Against Posessionexhibition essayPodium2018
- Le Grand Balcon: Montreal BiennialreviewC magazine2017
- Christopher Willes exhibitionexhibition8eleven2017
- Feminist art MuseuminterviewTemporary Art Review2017
- FAM at SFAIannouncementSanta fe Art Institute2017
- Public Recordings: : “To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation”programGardiner Museum2017
- Night GalleryessayScapegoat2016
- Notes from an edgeinterviewMagenta2016
- Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the otherreviewC magazine2016
- Rearviews IVpublicationArt Metropole2016
- Start very quiet and get very loudpublication8eleven2016
- 8elevenProjectToronto2016
- Sunday ScenetalkPower Plant2015
- Online Artwork and the Status of the ‘Based-In’ Artist”essaye-flux superconversations2015
- Attila Richard Lukacs in Hollywood: Jordan TannahillPerformanceLUFF Art+Dialogue2014
- The silence of sirensessayThe New Gallery2014
- Coming to termsreviewMagenta Foundation2014
- Rearviews IIpublicationart metropole2013
- Beginning No End (Rearviews Vol I)publicationArt Metropole2012
- In search of reliefexhibitionWWTWO2012
- The WhitehouseinterviewNOW magazine2010