Xenia Benivolski

Thinking Historically in the Present:15th Sharjah Biennal

esse

Instruments, Interfaces, Infrastructures

Harvard University

Music’s institution and the (de)colonial

Lund University

Women From Space

the Wire

We Love You: Ryuichi Sakamoto, 1952–2023

e-flux

Raven Chacon: solos

e-flux

Meleko Mokgosi Challenges Tropes of Mastery

Frieze

🌬️ Passenger: Migration Patterns of the Living and Those of the Dead

Art papers

👻 What On Earth

Te Magazine

Messengers: an interview with Steven Feld

OEI

🌎YCTM🌎 Chapter 4: To Hold The World Audible

e-flux

Recasting the Future with Amazon Workers

Routledge

Nikita Kadan: Victory over the Sun

art-agenda

A Movement of the Earth Against the World: documenta 15

Art Papers

Piña, why is the sky Blue?

Artforum

Sonic Acts Biennial

the Wire

Locating Echoes: Tessa Laird and Xenia Benivolski

Liquid Architecture

From East to West, Barbara Kozlowska at Kunstverein

Artforum

Visual Arts Open Lecture: Ayesha Hameed and Xenia Benivolski

Banff Centre for Arts and Creativity

🦇 YCTM🦇 Chapter 03: The Art of Possibly Animate Things

e-flux

🔥YCTM🔥 Interlude: Chimera's Still Warm Body

e-flux

Incredible Machines 2022

the new centre

Do Rocks Listen?

Art Gallery of York University

Two Kinds of Knowledge Shaking Hands

Flash Art International

🌱YCTM🌱 Chapter 02: SONIC BOOM

e-flux

Thematic Residency: The Weapon of Theory as a Conference of Birds

Banff Centre for the Arts

The Voiceless Mass and the Silent Choir: an interview with Raven Chacon

the Wire

🛸YCTM🛸 Chapter 01: Interplanetary Machines

e-flux

Signs of Life

Artforum

Interplanetary Machines

Second Spring

Is Amazon the Borg? We Asked Their Workers

Los Angeles Review of Books

Hectic cycles: A conversation with Chrysanne Stathacos 🔮

esse

Toronto Biennial of Art: What Water Knows, The Land Remembers

Art Monthly UK

Alanis Obomsawin at Haus der Kulturen der Welt (HKW)

Artforum

✨ YCTM ✨

e-flux

Echoes of a Distance: McGill Colloquium 2021—Echoes of a Distance: Music, Protest and Community in Confined Times

McGill

Amazon workers, sci-fi and the space between utopia and disaster

The Sociological Review

Pejvak: If need be

Art Agenda

🦜You Can't Trust Music 🦜

e-flux

Sensing Nature: Momenta Biennial

Art Agenda

The Sky’s Like a Bell—the Moon Is Its Tongue

Infrasonica

Portable Landscapes: Art Histories of Latvian Exile

K. Verlag

On Witnessing Otherworlds – A Diagrammatic Talk by Patricia Reed

221A

Zanis Waldheims - the exhaustive thought

Art Museum

Pickle Politics: Slavs and Tatars

SUGAR

ShapeShift

SUGAR

SUGAR

e-flux

Pickle Politics: Review by Polina Lasenko

SFU

Pickle Politics: Review by Anna Kovler

Artforum

Staying with the Breaks, Dispropriating the Universal: A Response to Eva-Lynn Jagoe

Wayne State University Press

This is not about you, its about us or at the very least me

Public Journal

Ancient Sunlight: An Interview with Elizabeth A. Povinelli

Public Journal

Tanya Busse: Against Posession

Podium

Le Grand Balcon: Montreal Biennial

C magazine

Christopher Willes exhibition

8eleven

Feminist art Museum

Temporary Art Review

FAM at SFAI

Santa fe Art Institute

Public Recordings: : “To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation”

Gardiner Museum

Night Gallery

Scapegoat

Notes from an edge

Magenta

Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the other

C magazine

Rearviews IV

Art Metropole

Start very quiet and get very loud

8eleven

8eleven

Toronto

Sunday Scene

Power Plant

Online Artwork and the Status of the ‘Based-In’ Artist”

e-flux superconversations

Attila Richard Lukacs in Hollywood: Jordan Tannahill

LUFF Art+Dialogue

The silence of sirens

The New Gallery

Coming to terms

Magenta Foundation

Rearviews II

art metropole

Beginning No End (Rearviews Vol I)

Art Metropole

In search of relief

WWTWO

The Whitehouse

NOW magazine