Xenia Benivolski

“Anything can come after anything else…”

e-flux index #2

Elephants Without Tusks

e-flux index #4

Bodies of Sound: Becoming a Feminist Ear

Silver Press

Five Shows to See During Art Toronto

Frieze

Manifesta 15: Barcelona Metropolitana

esse

Survival Kit 15: Measures

e-flux

In Tangible Noise

The Baker Museum

Thinking decolonially towards music’s institution

Herri

Under the Weather: The wind in Twin Peaks

the Wire

“Signal to Noise” — John Monteith and Lou Sheppard

C Magazine

IS IT REAL? YES, IT IS! The 81st Whitney Biennial

TEXTE ZUR KUNST

Fernando Palma Rodríguez’s “Āmantēcayōtl”

e-flux

Writing Back Against Amazon’s Empire: Science Fiction, Corporate Storytelling

TripleC

Aura Satz's ‘Preemptive Listening’ Investigates the Power of Sirens

Frieze

Toronto’s Artists Respond to a City in Flux

Frieze

Preemptive Listening Symposium

Tate Modern

Worker as Futurist

Georgia Institute of Technology

Astrid Klein at Sprüth Magers, New York

e-flux

CCS Bard Speaker Series

CCS Bard

Tokyo Melody: A Film About Ryuichi Sakamoto

TIFF

War Art Fellowship

National Gallery of Canada

SOLID STATES : On the Ljubljana Biennale of Graphic Arts

Texte Zur Kunst

Thinking decolonially towards music’s institution: A post-conference reflection

Seismograf

Suzanne Kite: How to Make Art in a Good Way

Art Review Oxford

☁️ Voice as One of the Things of the Universe

PUBLICS

Elif Saydam Articulates Neighbourhood Aesthetics

Frieze

💎 Exhaustive Thoughts: Concerning the Life and Death of Zanis Waldheims

post MoMa

steirischer herbst: Humans and Demons

metropolis M

Interview with Cory Doctorow

The ReImagining Value Action Lab (RiVAL)/ Lakehead University 2023

Annea Lockwood - Glass World

the Wire

Stuart Depster - Underground Overlays from the Cistern Chapel

the Wire

✊Amazon Workers’ Sci-Fi Writing Is Imagining a World After Amazon

Jacobin

Interview with Syrus Marcus Ware

The ReImagining Value Action Lab (RiVAL)/ Lakehead University

Pauline Oliveros: Resonance Garthering / The Well and the Gentle

the Wire

Mary Jane Leach: Woodwind Multiples

the Wire

Interview with David A. Robertson

The ReImagining Value Action Lab (RiVAL)/ Lakehead University 2023

Molecular Dramas, Ane Graff at OSL Contemporary

Artforum

Interview with Robin D. G. Kelley

The ReImagining Value Action Lab (RiVAL)/ Lakehead University 2023

Model is the Message: Incredible Machines Conference 2022: Worker as Futurist

The New Centre for Research and Practice

Interview with Charmaine Chua

The ReImagining Value Action Lab (RiVAL)/ Lakehead University

Interview with Marc McGurl

The ReImagining Value Action Lab (RiVAL)/ Lakehead University

Raven Chacon: solos

e-flux

You Can't Trust Music and Other Things

OCA/Kunsthall Trondheim

Thinking Historically in the Present: 15th Sharjah Biennal

esse

Instruments, Interfaces, Infrastructures

Harvard University

Music’s institution and the (de)colonial

Lund University

Women From Space

the Wire

💔 We Love You: Ryuichi Sakamoto, 1952–2023

e-flux

Raven Chacon: solos

e-flux

Meleko Mokgosi Challenges Tropes of Mastery

Frieze

🌬️ Passenger: Migration Patterns of the Living and Those of the Dead

Art papers

👻 What On Earth

Te Magazine

Messengers: an interview with Steven Feld

OEI

🌎YCTM🌎 Chapter 4: To Hold The World Audible

e-flux

Recasting the Future with Amazon Workers

Routledge

Nikita Kadan: Victory over the Sun

art-agenda

A Movement of the Earth Against the World: documenta 15

Art Papers

Piña, why is the sky Blue?

Artforum

Sonic Acts Biennial

the Wire

Locating Echoes: Tessa Laird and Xenia Benivolski

Liquid Architecture

From East to West, Barbara Kozlowska at Kunstverein

Artforum

Visual Arts Open Lecture: Ayesha Hameed and Xenia Benivolski

Banff Centre for Arts and Creativity

🦇 YCTM🦇 Chapter 03: The Art of Possibly Animate Things

e-flux

🔥YCTM🔥 Interlude: Chimera's Still Warm Body

e-flux

Incredible Machines 2022

the new centre

Do Rocks Listen?

Art Gallery of York University

Two Kinds of Knowledge Shaking Hands

Flash Art International

🦜You Can't Trust Music 🦜

e-flux

ShapeShift

SUGAR

Pickle Politics: Slavs and Tatars

SUGAR

Nodding Off With Mush: Lili Huston-Herterich

8eleven

Deferring Diffractions: Laurie Kang

8eleven

Tangerine Panther: Daniel Young & Christian Giroux

8eleven

Agency: Lindsay Lawson

8eleven

Stupid Sun: Julian Hou

8eleven

Habitual Present: Walter Scott

8eleven

YOU WIN! (february): Katie Bethune-Leamen

8eleven

The cut flower still blooms: Jenine Marsh

8eleven

Love Sex Dreams: Your delusion, my reality: Maryse Larivière

8eleven

Platforms: Rosa Aiello, Nadia Belerique, Lili Huston Herterich & Laurie Kang

Art Athina

Your blue eyes, what the heck: Edgar Leciejewski

8eleven

The Radiant: Craig Fahner & Steve Gurysh

8eleven

Choice Interface: Jeremy Pavka & Sean Procyk

8eleven

Celestial Bodies: Aryen Hoekstra

8eleven

Get Rich Quick: Christy Kunitzky

8eleven

C.R.E.A.M. (Cum Runs Everywhere Around Me): Maryse Larivière

8eleven at material art fair

Goodbye Here, No Matter Where: Geetha Thurairajah

8eleven

A Weirdly Floating “We” Snaps Into a Blurry Focus: Brittany Shepherd

8eleven

Nothing just happens on its own: Abby McGuane

8eleven

& A FOREST (PETRIFIES): Felicia Atkinson

8eleven

self-titled: David Court

8eleven

Every sound is a small action and broke world

8eleven

Start very quiet and get very loud

8eleven

Connective Tissues: Davida Nemeroff

8eleven

AGPTL: Steve Kado

8eleven

In the Absence (of): John Monteith

8eleven

Lumapit Sa Akin, Paraiso (Come to Me Paradise): Stephanie Comilang

8eleven

Risky Rhythm: Nadia Belerique and Rosa Aiello

8eleven

Sub-irrigation: Brad Tinmouth

8eleven